Here's my debt to you, I wanted to say I breathe for you / But you are a world away, a world away

Friday 21 January - Musically, there hadn’t been much to tempt us out so far this year, but tonight we were off to Fibbers to see four bands that I’d seen before, so I was pretty sure that we were going to enjoy ourselves.

I’m still not happy with Fibbers as a live music venue. It has no character and the drinks are exorbitantly priced. Anyway, we arrived about half way through the first of four acts, Boss Caine (Dan Lucas). The crowd was a bit thin on the ground but those that were there made up for their lack of numbers by the volume of their chat, all of which left Dan struggling to be heard and reduced his songs to a rather lacklustre drone, even when accompanied by Vin North on harmonica for the last two or three songs.

The second band to play were The Blueprints. Now I’d not seen these since early 2008 and the band have undergone some changes since then; Stuart Allan (vocals and guitar) and Russ Broadbent-(drums and vocals) still form the core of the band, with new (to me) boys Mark Waters (bass) and Tom Williams (keyboards and vocals) joining them. Their style of playing was also greatly improved. I quite liked them previously but tonight they really blew my socks off with their up-lifting, indie music and slightly squeaky vocals. Recommended.

Band three were one of my favourite York bands, 98Pages (and on FaceSpace), a power blues trio consisting of Martyn Fillingham (guitars and vocals), Jase Brooks (bass), and Andy Black (drums). Their debut album Broken Homes And The Halfway House was released in 2009 and since then they have added an enormous amount of new material to their canon of work. I only recognised about three of their songs. The new stuff is louder, darker, cleverer, but there’s more soft material too, edgy, moody. Martyn speaks of wanting to release some EPs and maybe another album this year; well he has plenty to pick and choose from. This band is really taking off, very highly recommended.

The headline act tonight was The Buccaneers. Originally a three piece consisting of Andre de Gaye (guitar & vocals), Leo Wild (bass), and Jonny Gatenby (drums & vocals), their ranked swelled in April 2010 with the addition of Vin North (acoustic guitar & harmonica) previously of Hijak Oscar. On previous occasions I’ve been somewhat underwhelmed by The Buccaneers style of garage R’n’B and I’m afraid to say that was the case tonight. Maybe it was because The Blueprints and 98Pages were so good, maybe it was because the clubbers had started trickling in early and were busy chatting away, oblivious to the fact that a live band was playing. Whatever, I simply felt a bit disappointed. Sorry guys.

Top five albums of 2010

Having mulled over my 2010 album purchases, I think I'm ready to declare my top five, except that I'm going to be awkward and have six and a special mention. Hey, they're my rules OK?

The special mention goes out to We're Here Because We're Here, the eighth studio album from Anathema which was released in 2010 but I didn't get it until 4 January. It's an extraordinarily beautiful album with multi-layered vocals and weird time signatures that just ticked every box for me on the very first listening. If I'd bought it in 2010 it would be in my top six, but I didn't.

So here are my top six album purchases of 2010:

In at six; the eponymous debut album from Yorkshire soundscapers Lost From Atlas. Instrumental math rock is alive and thriving in the hands of this late teen trio who how show a maturity transcending many of their peers who might have settled for a comfortable life of repetitive monotony. It's fantastic to see new blood producing such high quality material.

At five; The Minerva Suite the second offering from Mexicolas. Hot on the heels of their outstanding debut, X, comes this not quite so outstanding but nevertheless fantastically good bit of alt.indie from Jamie Evans.

Number four in the chart; Black Rock by Joe Bonamassa, the tenth solo album release from the 32 year old blues man. A finely crafted melange of originals and covers of songs from Leonard Cohen Jeff Beck, Otis Rush and Willie Nelson. Each track is magically transmuted into Bonamassa's unique style and polished to a high gloss.

Into the top three; Someone Here Is Missing, the eighth studio album by The Pineapple Thief and sporting cover art by Storm Thorgerson. Nine tracks of their trademark bittersweet progressive indie rock. Each song is tightly constructed and exquisitely recorded as Bruce Soord pours his heart all over his sleeve and into our ears. It's not all about the lyrics either, in between the words the rest of the band flexes quiet and loud like a musical muscle. Set the volume to 11 and stick your ears between those speakers.

Just missing the top slot, so that'll be number two then; April from Leeds fan-friendly band Hope&Social. Released on a pay-what-you-want basis this is another great album from the artists formerly known as Four Day Hombre. There's cheery great lashings of verve and energy, sing-a-long choruses, just a smidge of melancholia, then more dollops of Northern pep and wide-eyed musical wonders. But, don't just listen to the music, go and see the band live, they're even better and so much fun. Truly a joy to listen to.

And so to the number one; another eponymous debut, this time from The Union. The Union are a new band formed by Luke Morley, formerly the guitarist for legendary UK rock band Thunder, and ex-Winterville vocalist/guitarist Peter Shoulder. The album consists of twelve Americana-influenced songs with, as you might expect, superb vocals and outstanding guitar work. But don't be thinking that the tracks sound the same, oh no, each is a mini-masterpiece from the all out rock of Step up to the Plate, to the blues slide of Come Rain Come Shine, and the more stripped down acoustic tracks such as Lilies. They picked up The Classic Rock Award for Best New Band and ChildLine Rocks chose This Time Next Year as their first official charity single. Definitely the best album of 2010 and definitely the best live gig that I've seen in a long time.