Thursday 19 December 2013

2013 Review

19 December 2013 – so here is my musical roundup of 2013. The number of live gigs was definitely down again this this year, my own fault, nothing to do with the quality of artists at local venues. I did manage to get further afield this year, so that's a positive. I'm pleased to see that the First Direct Arena in Leeds has got off to a good start. I really hope that they can keep it up as there was strong competition from the O2 Academy in the latter half of the year. Venues in York seem to be struggling to get people through the doors. I'm not sure why this should be as there have been some excellent acts performing in the city, possibly one of the stronger years for talent.

My CD collection has swelled by another 25 albums, but that's nearly half the number from last year. Of those, 14 were released this year, 10 were older, and one was a 2013 re-issue of a 1995 album. My top ten new albums for 2013 were:
  1. Dimensionaut, Sound of Contact
  2. The Next Day, David Bowie
  3. Opposites, Biffy Clyro
  4. Brief Nocturnes And Dreamless Sleep, Spock's Beard
  5. The Raven That Refused To Sing (And Other Stories), Steven Wilson
  6. All Hell Breaks Loose, Black Star Riders
  7. Echo Street, Amplifier
  8. The World is Yours, The Union
  9. Xmas Show 2012, Thunder
  10. Dream Theater, Dream Theater
Some, well four actually, didn’t get in my top ten. Here they are in no particular order:
  • Afterthoughts, Nosound
  • A Far Cry From Home, Stolen Earth
  • Oceans of Time, Touchstone
  • Field of Reeds, These New Puritans
Of the older issues, it isn’t fair to rank them as the reasons that I bought them vary so much, so I present them by artist alphabetically:
  • The Silent Enigma, Anathema (re-issue)
  • American Beauty, The Greatful Dead
  • Live Dead, The Greatful Dead
  • Working Man's Dead, The Greatful Dead
  • Hotel Radio, The Hazey Janes
  • The Winter That Was, The Hazey Janes
  • The Rainbow Bridge Concert, Jimi Hendrix
  • Tall Ships, It Bites
  • Sounds That Cannot Be Made, Marillion
  • Crossing the Line, Simon McBride
  • All the Little Lights, Passenger

Friday 13 December 2013

The Winter That Was

Thursday 12 December 2013 - Due to the timing of some errands I found myself with a spare couple of hours to kill in York, so popped along to The Duchess. I knew that The Hazey Janes were playing and that Andy might be turning up. It was very quiet when I arrived. There were six people standing at the barrier and me, so I secreted myself towards the back. The sound and lighting engineers turned up and another chap who stood next to a pillar, then three of the six at the front clambered up onto the stage to play, they were support band The Article.

I really, really liked their first track, Lost In Circulation, almost a prog track, going off in all kinds of directions, and a fantastic start. The rest of the set seemed to be a mix of their own stuff and some covers, most of which I didn't recognise except for The Buzzcocks' Ever Fallen in Love (With Someone You Shouldn't've). Their vocals reminded me of early Cheap Trick but they were very muddy and indistinct, hence I never caught the name of any but the first track. The Article are very young but there is clearly nascent talent there, they just need to ditch the covers and get the vocals right.

Andy and Dan arrived a just after The Article started, swelling the number of us punters to seven. They too seemed to share the view that the band held promise. During the interval we adjourned to a nearby hostelry so that we could talk without shouting at each other, and we came back as The Hazey Janes (THJ) were mid-way through their first track. Meanwhile, the audience had increased by six, making a grand total of 13.

THJ are billed as a country-turned-indie-pop outfit from Dundee, although that description probably doesn't do them justice as their music actually spans everything from shoegazing to rock, quirky pop to balladry. Whilst they have supported acts such as Snow Patrol, Elbow, Idlewild, Brakes, Aberfeldy and Gorky's Zygotic Mynci, I've never heard of them or any of their music. What was apparent, right from the start, was that this was a musically mature band, very tight, and confident of their performance. They were obviously disappointed by the low turnout but determined to put on great show and the handful of us attending were enthusiastically grateful for that.

Many of the tracks were taken from their latest album, The Winter That Was. The ballad-style tracks had an air of Del Amitri about them, but they also produced rip-roaring rock, foot-tapping country, and a frankly awesome track Everything Starts Again. And, kudos to them, even though we were a pitiful crowd, they came back and gave us two songs for an encore, one of which was a cover of a Gram Parsons & Emmylou Harris track (I think it was Return Of The Grievous Angel).

After the performance we stayed behind while Andrew Mitchell (lead vocals and guitar) produced a box of CDs and both Andy and I bought a copy of The Winter That Was each which Andrew kindly signed for us. I shall definitely be checking out their back-catalogue.

I'm probably not best placed to cast stones, and it might have been due to late-night Christmas shopping, but for bands of this calibre such a poor turnout must be depressing. The outlook for live music looks bleak.